Web Design · 2025

A heritage timber site that sells certainty, not lumber.

Antique Woods supplies reclaimed American timber to architects and estate builders. The site had to feel like a workshop with decades behind it, not a product catalogue.

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Client

Antique Woods, Louisiana

Year

2025

Role

Build & development

Design partner

Studio Sevde (@studio.sevd)

Context

Antique Woods is a small, serious operation out of a Louisiana workshop; American heritage timber, reclaimed with discipline, sold to people who ask about the provenance before they ask about the price. Flooring, trusses, beams, stairs, millwork, bespoke projects; every category is someone else's entire company.

Studio Sevde led the visual direction; a quiet, editorial-leaning system built on architectural line drawings and warm ivory neutrals. Our job was to take that identity off the artboard and into a living site without losing the silence Sevde had designed into it.

The challenge

The challenge

Heritage timber sites almost always look the same: dark hero photo of a beam, rustic serif, barn textures, a hero slogan about "craftsmanship since" some year. Antique Woods refuses all of that. The brief was to build a site that feels like a workshop worth inheriting, not a supplier worth pricing against.

How we built it

Heritage, without the costume.

01

Line drawings where photography would shout

Sevde's call was to lead with architectural line drawings instead of product photography; warehouses, beam sections, structural facades rendered as restrained sketches. It anchors the brand in craftsmanship without reaching for the usual rustic shortcuts. We built the hero around that decision and let the page breathe.

Antique Woods homepage on a laptop, staged in a warm interior
02

One system, six product worlds

Flooring, trusses, beams and timbers, stairs, millwork and cladding, timber structures. Each category behaves like its own landing page, but shares the same grid, the same typographic scale, the same motion language. A buyer moving from beams to millwork never feels like they switched sites.

03

Typography that carries the claim

The hero statement is a single line: "American Heritage Timber. Engineered for Architectural Certainty." Everything else on the page serves that sentence. We dialled the display serif to its most confident weight and let generous line-height do the rest. No second headline, no supporting bullet strip, no video loop behind the text.

04

Bespoke, where most sites put a form

Architects don't want a dropdown; they want a conversation. We turned the contact flow into a short bespoke brief: project type, material interest, timeline. It reads like the start of a real project, not a CRM drop. The commercial intent is preserved; the coldness isn't.

Site in context

Heritage, composed.

Antique Woods site on a laptop, staged in a warm interior

The site in its world — staged the way the brand actually lives.

Antique Woods product categories on a laptop

Product worlds — one grid, one type scale, six categories.

Antique Woods brand identity — mark and editorial print

Identity off the artboard — mark, paper, provenance.

Antique Woods editorial photography with wordmark

What we shipped

Deliverables

01Framer marketing site
02Six category landing pages
03Bespoke project brief flow
04Responsive typographic system
05Line-drawing asset pipeline
06CMS-ready content architecture

Outcome

A workshop site worth inheriting.

The site moved Antique Woods out of the "reclaimed lumber supplier" bucket and into the same mental shelf as bespoke architectural studios. Architects show up briefed. Enquiries arrive with project context instead of price requests. The brand sounds like a craft, not a commodity; which is what Sevde drew and what we were there to build.

Quiet, for generations.

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